This is a site I use to post work I have created or been a partner to, as well as a platform to connect and collaborate with musicians from around the world who are interested in challenging, or thought provoking musical compositions. My studio includes Logic 9 and tons of analogue and digital equipment. I tend to work fairly quickly, but the more interesting a project, the more I want to do the best I can to add something profound, so time is relative. My stylistic interests include everything as long as it is good, although I am not a huge fan of most of what passes for music on the radio these days. I enjoy writing and playing, and I am comfortable with most styles. I currently have 2 "long distance" projects that are on-going, but would love to collaborate with others, with the goal of releasing our collaborations to the public, even if only electronically!
Definitive interests and influences include the usual suspects:
The Beatles, Early Stones (through 1975), Paul Revere and the Raiders, The Who, etc,
but also:
Prog - Genesis/Gabriel/Hackett, Emerson,ELP/The Nice, etc
Canterbury - Hatfield, Softs, Caravan, Gong,etc
Zeuhl - Can, Magma, Neu!, etc
R.I.O - Henry Cow, Aqsac Maboul, Muffins, etc
Bop and Free Jazz - too many to list, but Miles, Shepp, Pharoh, McCoy, Threadgill, AACM, etc..
Fusion - Return to Forever, McLaughlin, etc
And so on. You get the picture. I also love 70s and 80's Southern Cali punk, and British Proto-Punk (the Jam, and did I mention XTC?) through a lot of the good new wave from the 80's (Japan,Prefab Sprout, etc)
Classical - Schoenburg, Eisler, Messiaen, etc
I was also a fan of the 45. Two songs, approximately 7-10 total minutes to state your case. Nice...

I have been a musician for over 30 years, and have played live with musicians like Eyvind Kang as well as with members of Caveman Shoestore, The Tone Dogs, Jade Warrior, Group Du Jour and others, and have opened for everyone from Nirvana and the Sun City Girls to Elliot Sharp and They Might be Giants. I currently play music with Daniel Crommie, Bruce Hazen, Colin Henson, David Duhig, Jon Davis Miller, and some great avant-garde musicians in Argentina. Please feel free to contact me if you are interested in creating something cool!

Wednesday, December 10, 2014


I don't need to explain this one. If you are looking for a soundtrack to the revolution , this isn't it. It is meant to convey my sadness at the way the world is, or at least, as it seems to me. One of my friends said that he heard hope in it. Maybe....
Rumtoad- Guitar, Bass, Keyboards.
Daniel Crommie- Flutes

Wednesday, July 9, 2014

When the War Begins

If you have been following the news in the United States, every ass clown with a new tinfoil hat has been crawling out from under the teabag to spread ill-will and bullshit. They seem to think that Democrats could NEVER fight back if they decide to push for a Liberal "Final Solution". Thats ok. Let them think that...

Rumtoad- Vocals, Guitars, Bass, Piano, Synthesizer, Drum Pattern

When The War Begins by Rumtoad

Tuesday, July 8, 2014

The Future is a Horse

Just word-play, but I was aiming for a feeling of dis-jointed-ness

Rumtoad- All instruments, patterns

The Future Is A Horse by Rumtoad

Saturday, February 15, 2014


this is another piece I have been tinkering with. It is an unfinished demo, but like "In Lucid Moments", I really like the feel of the basic demo.
Rumtoad- Everything

In Lucid Moments

This is a new piece I have been working on. I sent it to Daniel Crommie to play with, so the final version will be different. In the meantime, I am proud of the David Sylvian-like quality of this demo.
Rumtoad- Everything

Sunday, January 5, 2014

Milgrams 37

This is a cover of a Peter Gabriel track that he wrote in the very early 80's after learning about Stanley Milgram and his Teacher/learner experiments regarding the ability of central figures to coerce subjects to commit unspeakable acts against others because of their supposed authority. In the experiments, "teachers" were required to administer increasingly toxic doses of electro-shock to "learners" if they did not answer questions correctly. The "learners" were actually actors, but the "teachers" did not know this, and more than 60% were willing to administer lethal doses of electricity before questioning the right of the researchers to allow this kind of experiment. I draw corollaries between Milgram and the real world every time I interact with fellow humans. All together now "We do what we're told, told to do"
Milgrams 37 by Rumtoad

Tuesday, December 31, 2013

Like A New Year's Day

A song to commemorate a crappy 2011, 2012, 2013 (and probably) an obnoxious 2014. Here's hoping 2014 is better than what we leave behind. I will re-visit this tune to shine it to a pearly condition once I have had time to do all the other boring stuff one must do to stay alive. In the meantime, I have this to remember 2013 by.

Rumtoad- Guitars, Vocal, Bass, Mellotron, Synth, Percussion

Like A New Years Day by Rumtoad

Saturday, September 7, 2013

Crushed Velvet Heart

I wrote this on a Thursday, demo'd on a Friday, and finished and posted on the next day (Saturday, obviously). I am not a great guitar soloist by any stretch of the imagination (I prefer to write specific solos and stick to them, or at least use them as guides when improvising) but I liked the feel because it was as sloppy and unhinged as the song itself, which is about the fear of constantly feeling unprepared for whatever comes next.

Rumtoad- Guitars, Bass, Keyboards, Vocals, Percussion.

Crushed Velvet Heart by Rumtoad


This is an original composition. It is a "love song" to Urban Paranoia and disconnection. For this piece, the info is as follows:

Rumtoad - Mellotron, Roland Guitar Synth, Bass, Vocals, Yamaha Nylon String guitar, effects, and drum patterns.

Klasko by Rumtoad

Tuesday, April 30, 2013

How Many Moments Must

This is based on a poem by E.E. Cummings. I used a text to voice translator to create the vocal parts, and the "angry" sounds are samples of Wasps. I am very happy with the quality of this piece
Rumtoad- Everything How Many Moments Must by Rumtoad as Well

Thursday, March 28, 2013

A Lapse of Judgment at the Brandenburg Gate

A classically inspired piece I wrote for a Daniel Crommie project. This is the basic version which kind of plays nicely on it's own.
Rumtoad- Everything A Lapse of Judgment at the Brandenbug Gate by Rumtoad as Well

A Dream Goes On Forever

Not to be confused with the Todd Rundgren Tune, here is my version of the Todd Rundgren Tune!
Rumtoad- Piano, Bass,Guitar, Mellotron, Percussion, Vocals A Dream Goes On Forever by Rumtoad

Monday, January 21, 2013


This is a song about despair, that utilizes some of the historical aspects of Chief Joseph and the Trail of Tears to make it's point. The end vocals refer to a natural monument in Arizona. "The Trail to the Rock that leads over"
Rumtoad- Everything Options by Rumtoad


This is a song I wrote about Frederick Jackson Turner, who gave a very famous speech in 1893 that sort of changed how America interacted with the rest of the World for all time. If you are curious about Mr Turner, there are several online sources that explain his influence on Policy and the notion of American Exceptionalism.
Rumtoad- Everything Turner by Rumtoad

(Some of) Jack's Blues

Just a semi- blues with a twist. It was fun to record. It is not finished, but if I waited until every little note was perfect, I would be an old man!. Jack is my rescue cat, and he had a funny look on his face every time he heard me sing his name.
Rumtoad- Gtr, Bass, Keyboards, Vocals,Percussion (Some of ) Jacks Blues by Rumtoad

Wednesday, August 29, 2012


This is a piece I composed about a visit to a ghost town. We have several in Oregon and there are literally hundreds of them (or at least the sites where they once stood) in the Pacific Northwest alone. They usually shuttered down when an industry like logging, or mining went away. I have an affinity for Ghost Towns. They are a paradox, as they present both a window to a previous time, and a glimpse of what is to come. Rumtoad - Guitar, Bass, Keyboards, Samples, Percussion, Vocals Endgame by Rumtoad


This is an old Soft Machine tune that I have updated. Rumtoad- Theremin, Bass, Mellotron, Guitar, Guitar Synthesizer, Percussion, Vocals, sound effects Memories by Rumtoad

Thursday, July 19, 2012

Closing Time

I have several pieces that I have been composing since the middle of June. This was going to have a vocal , but my words kept failing me. It is now an instrumental with other things to occupy your mind. This is seriously one of the most complicated productions I have ever created on my own. And I am not even sure that it is finished!
 Rumtoad- Samples, Percussion, Synths, Bass, and Guitar solo Closing Time by Rumtoad

Thursday, May 31, 2012

The Robert E Lee

This was a song I wrote in 2008. It was supposed to feel like a cross between Randy Newman and Stephen Foster. I may have hit that goal, but then again, I try to be a perfectionist. However, I did hit a couple of bum notes on the bass. Oh well. I wasn't planning on getting a grammy for this anyway. Rumtoad- Everything except the Guitar Solo. Kevin Elmore- Guitar solo The Robert E Lee by Rumtoad

Sunday, October 2, 2011

Wolf Time

This is a piece I wrote about the current "trend" of joining loosely affiliated and politically vague groups hell bent on destroying everything that makes them uneasy or forces them to think. It has a Randy Newman meets Floyd Cramer kind of lope to it, but trust me, you don't hear many country tunes written in Bb, and they certainly don't use many 11ths and 13ths. I do hope certain fringe elements listen to this and hate it. Then my work would be complete!

Rumtoad- Vocals, Bass, Piano, Guitar Solo, Drum Pattern

Wolf Time by Rumtoad


The track below is a recent version of an old Pink Floyd tune I recorded. It is an unfinished demo, but it was a lot of fun to record. For this session, the musicians were:

Rumtoad- Bass, Piano, 12 String guitar, Drum Patterns and Vocals
Kevin Elmore - Electric Guitar
Daniel Crommie - Mellotrons and Flutes

Cymbaline by Rumtoad


This is a short piece that I composed for a class I was taking. The total length was not to exceed 3 and 1/2 minutes. Its kind of baby techno, but I really like it, especially the ending.

Rumtoad- Bass, Mellotron, Keyboards, Samples and effects.

Amazing by Rumtoad

Sunday, September 11, 2011

Ella Fitzgerald Week

This is a song I wrote in 1991, but I like this version best, which I re-recorded in 2009, and then created a video for. It means a lot to me, considering the state of the world we live in now.

Rumtoad- Nylon and Electric Guitar, Bass, Organ,Drum Patterns, Vocals